Aaaaaaaaand we're back! Coming in hot at # 5 is another Jeff Buckley classic.
5.)
Grace by Jeff Buckley: The really creepy thing about this song is that he almost predicts his own death. The lyrics
: And I feel them drown my nameSo easy to know, and forget with this kissI'm not afraid to go but it goes so slow Strange, right? The rest of the song's lyrics are basically about how his time has come and such, essentially making it a suicide song. Obviously, that's not why I love this song. It's another one of those "turns something tragic into something beautiful" songs. Also, it's another one that's impossible to describe musically. The only things that I can say about it are the same things I said before, Jeff Buckley is just a masterful singer. The whole song he does impossible runs and reaches a range that only dogs should be able to hear. The end is very intense, as he sings the lyrics above in an almost screeching voice. If you listen to the song, wait until the very end and I mean the
very end. When he sings the last line he just rips some hard inflection into it that gives you goosebumps. I'm really sorry but I can't describe it any better than that. The whole song is beautiful and very introspective, which is great because we get a sense of how he's actually feeling and not just some bullshit he made up to sound cool. A lot of music today is exactly that, bullshit. Some writer in a room that nobody knows about writing some stupid love song that a pop singer or popular band plays. I'm not saying all music is like that. There's still plenty of great artists that actually have talent right in front of your face, which is our saving grace to the mainstream manufactured music that pollutes our culture today. Wow that sounded really pretentious. Sorry folks. I know everyone has different tastes. For example, many people like
Bon Jovi and U2, when I happen to really hate both. But I've written before that music affects people in different ways, so I shouldn't have said that about mainstream music. I think it sucks but obviously people like it that's why it's mainstream. Back to the song. Deep, beautiful, wonderfully sung, and he just crushes every note like he'll never sing it again. That's another reason why I appreciate Jeff Buckley so much. Did you know that when he recorded this album he wouldn't stop recording a song and moving on to the next one until every single note was exactly perfect? He really does sing each song like he'll never sing it again, because once it's perfect where else can he go?
Grace really will blow you away, I promise.
6.)
Deep Inside by Incubus: Alright Chase, this is for you. I picked this song not only because it's my favorite Incubus song and I couldn't make this list without one, but because it reminds me of a time when Incubus was just on a completely different level. Here's the thing, I still love Incubus and their past two albums (
A Crow Left Of The Murder and
Light Grenades), I think that it's still really good music and I'll listen to it and love it a lot. But when my friend Chase points out things to me about them now, I can't help but listen to these albums a little differently. Important note, Chase has been a big Incubus fan since forever and knows every song inside and out so, his opinion is relevent. Anyway, I don't like them any less, I just acknowledge that they aren't the old Incubus. Chase disagrees. I'll explain. After the album
Morning View, which I'm sure you know songs from (
Nice To Know You, 11am, Wish You Were Here), they broke ties with their original bass player, Dirk Lance, who gave them a deep groovy sound and a drive that they no longer have. They took on Ben
Kenney (formerly of phenomenal hip-hop group The Roots
) and made two more albums. Ben
Kenney plays with a pick most of the time instead of with his fingers, something that makes the bass sound really different if you know what to listen for. This annoys Chase to no end, and while I don't believe that bass should be played with a pick, I don't crucify him for it because when they play old Incubus songs he plays with his fingers to get the real essence of the song. It bothers me a little, but I hardly ever think about it when I listen to the albums to be honest. Anyway,
that's one thing. Also since he's entered the band, Incubus has gone from a harder sound with a lot of groove songs, to being
noticeably lighter on
some songs. They still have hard songs, it just doesn't sound the same. The other thing that pisses Chase off a LOT (and I actually agree with him on this on the same level as him) is that superhuman guitar player Mike
Einziger switched from a Paul Reed Smith guitar (perfect for rock and soloing and the perfect guitar for the old Incubus) to a Fender guitar (on the request of Ben
Kenney since he plays a Fender bass). Fenders are great obviously, but not for Incubus. They are more for blues, something that Incubus does not do. They are really stripped and don't get the same type of sounds and tones that Paul Reed Smiths are capable of making. As a result, guitar riffs in newer Incubus pale in comparison to old Incubus (for the most part). For me, these points apply really only to the albums, because their newest concert DVD called
Look Alive is ALL new songs from the past two albums (with the exception of 3). And I have to say, this DVD is amazing. Brandon Boyd sounds better than he has ever sounded, with every note dead on. All the new songs are played with precision, and Mike makes it work with the Fender in a live setting. They're just a great live band, so no matter what I think about how the albums sound (again, I love these albums) it's completely different live. I even showed Chase the DVD and he liked some of the newer songs. By the way, Ben Kenney is incredible on this DVD.
So, just to sum up, I love Incubus (obviously if they're in the Pantheon of Bands) and I love their new music, but just not as much as the stuff
pre-Ben
Kenney. After that long-winded and probably unnecessary explanation, lets talk
about Deep Inside. It starts with a bass riff and then the guitar and drums come in to a moderately paced groove. The cool thing about the song is that every so often it just goes into this hard rock riff where Brandon Boyd screams the lines and then it goes right back into the mellow riff. It sounds like it wouldn't flow, but since they're Incubus they make it work perfectly. There's a short guitar solo in the middle, after which Brandon Boyd comes in with a verse and the band starts playing like they're winding down the song. Then almost out of nowhere, the guitar comes screaming in and Brandon sings along with the first riff to exactly what Mike is playing. It's unreal. Then the rest of the solo Mike just tears it up for about 30 seconds as the song gets a little faster and takes it home. The groove is in full force here with the bass driving it and the guitar screaming in your face. A great song, a groovy song, and a real Incubus song.
7
.) Plane Crash by Moe: This is probably the hardest song to describe in this entire list,
primarily because Moe is a jam band and they are so unpredictable with their shit. The song comes in at a nice long 8:54 because it's jam-packed with so much stuff. It starts off with this string melody being played by maybe 3 or more string instruments. When I first heard this song I was like "what the fuck is this I hate classical music," but when the strings part ends (which is actually a really cool part), a lone guitar comes in and plays a riff
that's soon joined by the entire ensemble. The best way I can describe this part (where everyone comes in) is that it's like an epiphany. It's like everything that was missing is now here, and it makes you just want to raise your hands up to the sky and pretend you just had an awesome idea. After this part, it goes into a faster paced groove where the verses come in. This is where I have to stop and describe my "Phases." This song has 3 phases. The part I've been describing is called Phase One. It's the main lines of the song that include all the lyrics and establishes basically the essence of the song. Towards the end of this section, they have a few guitar solos with the strings part from the beginning layered in over it. Very, very cool. The solos in this section are very, uh,
riffy I guess you could say. I'm making it a word. They have a lot of sick riffs thrown in that are the definition of blues. After that the strings layer in and from there it's on to Phase Two, the solo section. This starts at 6:09 into the song. This entire phase is guitar solos. There are two guitar players who basically after a single guitar solo start trading off with each other while more and more instruments are added. Phase Two ends with a section that could best be described as one guitar playing a repeating riff that gets louder and louder while the other guitar solos over that, and little drum breaks are thrown in every so often. Phase Two ends with both guitars playing the same part until the climax where it goes into Phase Three. Phase three is the last 1:00 of the song and is pretty much just a reprise of Phase One. So there's the Phases.
While this song comes in at number 7, it very well may be the most epic song on this list. Between the Phases, guitar solos and riffs, and cool lyrics about being afraid to fly on a plane because the prospect of crashing sucks, it's the entire package. If jam bands turn you off, that's
OK. You should still listen to the song because of how complex it is. It might be the most complex song on this list, musically speaking. You know what, it definitely is the most complex. Also, I listened to this song the last time I was on a plane going to Florida, and before that this past summer on the way to Mexico. It sounds stupid but I just felt it was appropriate. Anyway, listen to this song trust me. Epic.
Home stretch coming soon...